“Life is Elsewhere” Dali Photo Festival Exhibition Hall 云南大理“生活在别处”展览现场

October 11th, 2011 § 0 comments § permalink

This time I chose to exhibit the actual size polaroid series “Expired Landscape” taken with the original polaroid SX-70 from 2007 – 2010.

exhibition dali photofest 01

exhibition dali photofest 02

“Narrative Naysaying” Edward Sanderson’s review on ArtSlant

August 4th, 2011 § 0 comments § permalink

In 2010, on a side street behind the main drag of 798, the German appliance company Siemens opened a small art space as part of their mission to “finance young artists’ projects and provide community service around China.” As part of this worthy cause, this month the gallery is hosting Overstep, a show of two young Chinese artists, Shen Yi Elsie and Lei Benben, curated by Pi Li (Director of Boers-Li Gallery).

Over the past few years both Shen Yi Elsie and Lei Benben have moved from photographic works to a more expansive approach to media – in Lei’s case into video and for Shen a practice that has developed through video into public interventions. For Pi Li, their work “oversteps” discredited boundaries of objectivity, fragmenting narrative into disjointed personal histories, creating a situation he characterises as “the inversion of time and space, [where] reality starts to drift into illusion and no longer firmly detains us.” » Read the rest of this entry «

Exhibition “Overstep” opens July 23rd《一念之差》沈怡&雷本本作品展7月23日开幕

July 11th, 2011 § 0 comments § permalink

Curated by Mr. Pi Li, Exhibition Overstep include recent photography and video works from artist Shen Yi Elsie and Lei Benben.

Opening on July 23, 20011 at the Siemens Art Space in 798  include:

13H00- 15H00 Discussion of artists work by several curators

15H00 Cocktail Party

一念之差 OVERSTEP

文/皮力

“一念之差”这个展览,展出的是两位年轻艺术家–雷本本和沈怡–的影像作品。在这个展览中,我们所试图探讨的则是两个层面的问题。首先是叙事性和文学性作为现代艺术以前的语言方式在今天还有何种可能性?或者呈现出何种特征?其次是现实是否永远是坚硬的?而相比绘画而言,“客观的”影像语言在何种程度上能否实现对于现实的“僭越”,从而使得我们得以穿透现实。这两个问题都关系到影像书写的特性。 » Read the rest of this entry «

Currents 2011 Santa Fe New Media Festival Schedule

June 12th, 2011 § 0 comments § permalink

Some wonderful events and activities for this festival!

咬文嚼字看 《色。戒》-一篇旧文,送给一位不幸的艺人。

May 16th, 2011 § 0 comments § permalink

自从电影《色。戒》上映之后,很多人和我一样期盼着汤唯更多更好的表演,这两天,又听说她再次被封杀,翻出这篇旧文,算是送给她的小小心意。

初次看到《色。戒》的海报,英文翻成 Lust . Caution. 总觉有点便纽。佛家有七戒, 这“戒”字为何不翻 Interdiction呢?

有色便有欲,由欲而生情,有情才有爱。 爱,love, l’amour. 恋爱,英文是 “fall in love”, 法国人说 “tomber amoureux”, 中文则是 “坠入爱河”;怎么着都是往下掉的一个危险动作,而且无法控制
又不能用替身,通常会代价还会惨重。电影《色。戒》中的王佳之因动了真情而陪上了自己小命一条;张爱玲不小心坠入爱河后,用了近三十年时间来写自己的这段感情,如此出色的作家都已成了坐在家里的“坐家”了。 可是古今中外又有多少英雄少青老年心肝情愿的要掉进着个深渊呢。为的就是爱。

» Read the rest of this entry «

Exhibiting at 参展美国Currents 2011新媒体艺术节 New Media Festival

May 16th, 2011 § 0 comments § permalink

Proudly presenting my work at the Currents 2011 New Media Festival held at Santa Fe, New Mexico, USA.

Opening Reception will be held on June 10th  6pm-9pm.

Venues include El Museo, The New Mexico Museum of Art, Santa Fe Complex, Center for Contemporary Art, The Santa Fe University of Arts and Design.

Please join us for a series of exhibitions and discussions of new media art.

Fake Magazine Column “Story” publishes “Honey Moon” 假杂志故事之六 No. 6 发表我的作品“蜜月旅行”

April 25th, 2011 § 0 comments § permalink

『故事』第六集:沈怡 STORY 6: Shen Yi

文/言由 text by Yan You

上周六与摄影师沈怡约在798的东八时区书店见面。在美国学习多年,而后又旅居法国多年的她谈到摄影和新媒体时,其观念与我这些年来的摄影审美颇为不同,但却让我深受启发。摄影发展到现在,除了记录之外,真的有着无限的可能性。与文字带给人相对笃定的信息相比,摄影有其不确定性,她另外谈到“过期的风景”系列中一张有着铁丝网的作品(上图)说,欧洲人马上想起了奥斯威辛集中营,而中国人却想到了恬淡的乡村生活。这种因不同文化背景、不同生活经验造成的阅读歧义让她十分迷恋。再拿她的“蜜月旅行”系列来说,乍看以为是她记录自己的一段美好时光,但听她一说,原来这是一个类似于“梦境”的虚构故事,所有的良辰美景都来自于她的猜测或想象,是她将多年的照片像电影中的镜头一般剪辑在一起的故事。我想,这是『故事』栏目中刊载的最像故事的“故事”。

Photographer Shen Yi Elsie graduated from Illinois Wesleyan University in 1996, and spent one more year in Chicago Columbia College till 1997. Then she went to France for several years. She now works and lives in Beijing. Her experience outside China for so many years makes her quite different in the idea on photography. So I invited her to talk about her Honey Moon series. Recording not her own experience, as I thought before, this series is from her imagination about a beautiful time. I think this is the most fictional story since the STORY column.

有一天,路过巴黎圣母院门口,有一对新人正在举行结婚庆典,这对显然是来自意大利或是西班牙的新人,着装略为复古,新郎看到我胸前的相机,于是一定要我给他们照张相。我欣然同意,照完后,他飞跃上来想看看照片,发现我的相机是个塑料的玩具相机,不免有些失望。这就是这个系列的第一张照片。

照片洗出来后,不知为什么,我常拿出来看,总觉得他们有什么故事要讲。我想像他们如何畅游巴黎,如何继续自己的生活。蜜月旅行是我想像中的这对新人或任何一对新人的一次旅行,一次有点类似大卫・林奇电影中的旅行。每个人都有自己希望的蜜月旅行,如果让我选,蜜月该是一次去到世界尽头的旅行。 所以,这个系列是完全虚构的。其实,这个虚构的旅行也似乎是虚构的。或许只是一个梦。

但它是一个永远真实的梦,比如其中有一张是雪地里的“2006.5” 这么几个字,应该是2006年5月的意思,是一种见证。这几个雪地里的字不是我写的,有人写了这么几个字,写这几个字的人一定是寻求对某件事情的见证。或许就是对另一对恋人的爱情的见证,我拍了下来,用在我的故事里,或许是虚构的。但它作为“见证”是再真实不过了。

每个观者通过他/她自己的经历也会对这些图片做出不同的反应。我更希望知道,观者是怎么想的。比如最后一张,有的人告诉我,是看到了曾经爱过的人,孤身一人。有的人说,那是感情中的孤独。也有的人说,那是他/她离开人世时,他/她爱的人孤身一人。

每个人梦醒之后,总想知道,刚才那个梦是什么意思,到处问别人。其实,这组照片就是一个梦,我就是那个做梦的人。

One day when I passed Notre Dame de Paris, there was a wedding ceremony. The couple, in a little vintage, is obviously from Italy or Spain. The groom, seeing my camera on my chest, asked me to take a photo for them. I agreed heartily. After that he lept up to see the photo, and felt a little disappointed to find that my camera is a plastic toy one.

After the photo coming out, I always took out to see it and found that they had some stories to tell. I imagined how they wandered Paris and how they continued their life. Honeymoon trip is, in my imagination, a trip of this couple or any couple, a trip like those in David Lynch’s films. Everyone has a honeymoon trip in his mind. For me, in the honeymoon we shall go to the end of the world. So this series is completely imaginary. Actually this fictional trip seems imaginary too. Maybe it’s just a dream.

However, it is a dream true forever. For example, in a photo there was “2006.5″ on the snow, meaning May 2006. It was a witness. These words were not by me. The person writing these words were seeking a witness to some thing. Perhaps it witnessed the love of another couple. I put it in my fictional story. But, as a witness, it couldn’t be truer.

Each viewer will react diffferently with his/her experience. What I want to know is, how these viewers think. For example, about the last picture, some one saw the person he loved alone; some one said it was loneliness in affection; some other one said it was his/her lonely lover when he/she left the world.

Everyone wants to know what the dream means when he wakes up, so he asks others around. The series is a dream, and I am the dreamer.

《假杂志》是一本年轻的关注国内外摄影艺术的新兴杂志。《Fake》magazine is a young digital magazine which pays attention to photography works from both China and Internationally.

full text: http://blog.jiazazhi.com/2011/04/story-6-shen-yi/

full works: http://shen-yi.com/works/honey-moon

Barcelona Art Contemporary 11th Edition Centre d’Art Santa Monica 参展巴塞罗那当代艺术节 2011

February 15th, 2011 § 0 comments § permalink

SHEN Yi Elsie proudly presenting her video “The Neon God” at the Barcelona Art Contemporary 2011.

Barcelona’s International Festival of Contemporary Art, or BAC!, incorporates various media, from murals to installations, contributed by galleries all over the world. The works are spread across several city venues but are united by the festival’s yearly changing theme.

The theme for this year is “El Tiempo” (“Time”).

11.0 Edition of Barcelona Art Contemporary Festival
CASA ASIA, FUNDACIÓ SUÑOL, CENTRE D’ART SANTA MONICA & H20
bac@videoartworld.com
http://www.bacfestival.com

WEDNESDAY – Nov. 10th : Centre d’Art Santa Mónica

5.30pm. Screening of selection :: TIME FOR A CHANGE :: [1 hour 6 minutes]

Curated by Macu Morán (Director of VideoArtWorld)

- REVISITING WINKIE’S ON SUNSET BLVD: Daniel Hoflund – Sweden, 2008, 2’55”
- ACTIVISM: Beatriz Albuquerque – Portugal, 2007, 5’00”
- MEMORIA RAN: Damian A. Pissarra – Argentina, 2010, 2’27”
- AIM: Benna, Italy, 2008, 4’50”
- VS TRIBAL TREATIES 1785-1894: Flounder Lee – USA, 2007-2010, 2’00”
- EXCERPT: Guli Silberstein – Israel, 2008, 4’35”
- AT HER AGE: Heide Hatry – Germany, 2010, 6’00”
- CULTURE: Avelino Sala – Spain, 2088, 2’05”
- SE REVELA, SE DEVELA: Elia Alba – Dominican Republic-USA, 2007, 1’00”
- TIEMPO DE RESPUESTA: Verena Grimm – Mexico, 2007-2010, 6’00”
- NEON GOD: Elsie Shen Yi – China, 2008-2009, 2’36”
- AS IF TO NOTHING: Andreas Templin – Germany, 2008, 3’45”
- A LITTLE PIG GOES A LONG WAY: Rajorshi Ghosh – India, 2007, 45”
- JE SUIS PERE ET MON PERE EST PERE: Andres Weberg – Sweeden, 2010, 2’18”
- NICKNAMES: Gustavo Marrone – Argentina, 2009, 6’00”
- CORPORATE ARMIES: PSMJ – Spain, 2008, 2’44”
- INTERVIEW WITH THE COUNCIL: Arfus Greenwood – USA, 2009, 4’00”
- REPRESENTA CORISCO 2010: Vj Electroiman – Brazil, 2010, 2’46”
- MACROCARICIAS: Begoña Egurbide – Spain, 2007, 4’30”

XI EDITION: BARCELONA ART CONTEMPORARY FESTIVAL
BAC! 11.0 – Entering the 4th Dimension
: TIME » Read the rest of this entry «

Duna Gallery Mini Video Fest, Budapest, Opening Dec. 8th, 2010 布达佩斯旦那画廊多媒体影像节12月8日开幕

November 29th, 2010 § 0 comments § permalink

I will be presenting my work “The Neon God” and “Hunt” for the first time in Budapest, Hungary.

The exhibition starts on Dec. 8th, 2010 and will last until Jan. 9th, 2011.

我将首次在匈牙利的首都布达佩斯展出我的影像作品 《都市哪吒》(2008)和《觅》(2009)欢迎大家亲临指导。

这次展览从12月8日开幕将继续致2011年1月9日

U+3 Exhibition展览现场

November 28th, 2010 § 0 comments § permalink